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The Rise and Fall and Rise and Fall of X

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The Four horse_ebooks of the Apocalypse

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Compassionate Satire: Why I Don't Hate Dear Evan Hansen

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Parking lots are everywhere and nowhere

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Automated dystopia and the worst tourist attraction of all time

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What Isn't a Video Essay?

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The Infectious Fantasy of The Queen's Gambit

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Jaws: When Seeing isn't Believing

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Hamilton and the right mess it's gotten me into

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The Beginner's Guide: This Is Not For You

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Lisa Hanawalt: Being Human by Being Animal

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Blue: The Most Human Colour

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Public talk: Diary, Discourse and Demonetisation

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Untitled Goose Game: Is it Good to be Bad?

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Horror is the Best Genre (and here's why)

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The Speed (and Stillness) of Being Online

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First-Person Shooter: Mysterious Photography in Firewatch

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Kondo-Culture: The Fall of the House of 'Stuff'

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Phantom You [Tube]: Fighting Our Digital Doubles

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Next Stop, Analysis: The Contradictory Trains of Cinema

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From Zombies to Cannibals: Finding Humanity in 'Raw'

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Adventure Time and the Nature of Endings | Lessons Animation Taught Us

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Feathered Foes: Birds in Horror

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The Last Unicorn: Why Must You Always Speak In Riddles?

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Evil Dead: Loving the Unnatural

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Getting Over It: Humanising Game Design

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David Lynch: The Treachery of Language

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12 Cabins 12 Vacancies: The Haunted Hotel In Cinema

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A Field In England: The Presence of Absence

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Over The Garden Wall: Why Is The Unknown So Familiar?

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Zabriskie Point: Blowing Up and Breaking Down

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Kill List: The Folk Horror Revival

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House of Leaves: The Horror Of Fiction

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The Lego Movie: Constructing and Reconstructing Identity

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Night In The Woods: Do You Always Have A Choice?

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The Babadook: The New Physicality of Ghosts in Horror

08:54

Sightseers: Creativity in a Caravan

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Paprika: The Storm of Progress

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Holy Motors: Is All The World A Stage?

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Utopia: Reinventing Onscreen Violence

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Lost Highway: How Video Manipulates Us