44:13

Pro Composers Judge Your String Quartets

12:09

How I Earn Over $10K/Month as a Composer and Professor

12:04

How to Sell Your Sheet Music Online

03:51

Send Us Your String Quartets!

15:29

How I Wrote This Microtonal Fanfare

04:13

Mishwar, a fanfare for orchestra (DEMO recording)

11:56

A Day in the Life of a Music Professor

17:25

Top 7 Schools for Music Composition in the U.S.

10:31

10 Essential Tools for Composers

26:10

How to Prepare Titles Pages for Scores

31:05

Pro Composers Judge Your Orchestral Scores

05:54

Tasalsul I, for flute (ft. Brandon Patrick George)

22:23

How to Write for String Orchestra

01:36

Send Us Your Orchestral Scores!

10:33

13 Books for Composers

06:39

Is Contemporary Classical Music in Decline?

10:20

How I Study This Microtonal Madrigal

08:26

How to Notate Aleatoric Music

09:12

How I Composed This Sextet

06:35

Selig Licht (ft. ensemble hand werk)

10:54

How I Study Bach Chorales

11:07

How Much Money I Made as a Composer in 2023

14:18

Unboxing My LA Phil Parts!

14:49

Takht, for sinfonietta (ft. UT Austin New Music Ensemble)

12:54

How Can Composers Deal With Writer’s Block?

26:39

How I Wrote This Piano Concerto

07:25

How To Print and Bind Music Scores

06:39

3 Composition Programs You Didn't Know About

15:49

How I Wrote This String Quartet

06:45

The WORST Review I've Ever Had (ft. "Aysheen," for the LA Phil)

04:28

LA Phil violinist demonstrates techniques from "Aysheen"

05:56

Here's what surprised me about the first “Aysheen” rehearsal

02:24

“Aysheen” rehearsals begin…

21:53

EXPOSING the Beginning of My Compositional Process

01:23

We're Moving the Pod... here's why.

28:22

How I Wrote “Aysheen” for the LA Philharmonic

09:48

Aysheen, for the Los Angeles Philharmonic (DEMO recording)

58:53

This Flutist Finds Connections Between the Old and New (ft. Brandon Patrick George)

01:00:07

“I Think About the Listener Constantly” (ft. Timo Andres)

15:32

Extended Interview: Saad Haddad and the Gaudeamus Festival

01:06:38

This Composer Has All the Luster (ft. Jared Miller)

12:33

Ta’amolan, for wind quintet (ft. Imani Winds)

04:55

Classical Composers Discuss Whether Competitions Affect Their Voice

01:57

Classical Composer Explains Sul Ponticello

58:38

This Composer Brings Vinyl into the Concert Hall (ft. Charles Peck)

05:20

Why I Don’t Score Films (anymore)

06:58

How to Start Composing with “Open and Closed Minds”

01:02:08

Meet YouTube’s Music Theory Professor (ft. David Bennett Thomas)

16:41

Classical Composer on Microtonality, Residencies, and Publishing

03:23

Why New Music Needs More than One Performance

09:10

Should New Music be Part of Conservatory Training for Performers?

52:30

This Violinist Loves New Music (ft. Clara Kim)

05:19

Is It Elitist to Write for Orchestra?

09:14

Was a Music Composition Degree Worth It?

57:36

Columbia Composers Talk Elitism in New Music, Starting a Business, and More (ft. Emily Praetorius)

05:18

Why We Still Compose for Orchestra in 2023

03:59

Do You Need a Doctorate to Understand New Music?

49:50

Soundtracking Icelandic Glaciers (ft. Fjóla Evans)

05:46

Do Composers Need to Orchestrate?

04:13

Is There a Difference Between Classical and Film Musicians?