About
Since forming in 1990, Nashville's The Floating Men became one of the most influential indie acts in the Eastern US, releasing ten critically-acclaimed studio albums and a bevy of officially-authorized bootlegs supported by a ravenously loyal cult of road-tripping followers (self-dubbed The Floatilla). Their final studio recordings - āThe Sighing Hours Act I: No Clocks, No Calendarsā and Act II "The Sighing Hours: Swimming with Gods" were released in 2009. This collection is part sex farce, part love story, and part supernatural chiller, set on a sea island off the coast of South Carolina, where a liberated, enlightened hippie enclave interacts warmly with the local culture, dominated by the Afro-Caribbean descendants of slaves. Since 2001, Jeff and Scot were joined on stage and in the studio by Steve Ebe on drums, David Steele and Chris Cottros on guitars, Jody Nardone on keyboards, and background vocalists Andra Moran and Eva Hunter.
Since forming in 1990, Nashville's The Floating Men became one of the most influential indie acts in the Eastern US, releasing ten critically-acclaimed studio albums and a bevy of officially-authorized bootlegs supported by a ravenously loyal cult of road-tripping followers (self-dubbed The Floatilla). Their final studio recordings - āThe Sighing Hours Act I: No Clocks, No Calendarsā and Act II "The Sighing Hours: Swimming with Gods" were released in 2009. This collection is part sex farce, part love story, and part supernatural chiller, set on a sea island off the coast of South Carolina, where a liberated, enlightened hippie enclave interacts warmly with the local culture, dominated by the Afro-Caribbean descendants of slaves. Since 2001, Jeff and Scot were joined on stage and in the studio by Steve Ebe on drums, David Steele and Chris Cottros on guitars, Jody Nardone on keyboards, and background vocalists Andra Moran and Eva Hunter.