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1,764 Views • Jan 23, 2024 • Click to toggle off description
Views : 1,764
Genre: Music
Uploaded At Jan 23, 2024 ^^
warning: returnyoutubedislikes may not be accurate, this is just an estiment ehe :3
Rating : 5 (0/92 LTDR)
100.00% of the users lieked the video!!
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User score: 100.00- Masterpiece Video
RYD date created : 2024-01-24T22:29:43.436524Z
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YouTube Comments - 14 Comments
Top Comments of this video!! :3
This is a really insightful clip in different ways. I like your explanation about the old masters, who learned their technique first, and then they could play freely later, I like that you point out the distinction between learning the language, compared to saying something interesting with that language. It kind of explains Eddie Van Halen mastering the neck tapping technique on guitar, but it was his playing so freely that nobody could compare to. Everybody else thought they had achieved the Van Halen schtick merely because they were expert at tapping on the neck of the guitar. EVH inspired a generation of neck tapping rock guitar bands in the 1980s, but Most still lacked the personality and sheer joy of playing freely like Eddie Van Halen. "Eruption" is the most concentrated EVH song to display his technique mastery. Yet his first-take guitar lead in Michael Jackson's "Beat It" made them both into superstars!
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There are many theories as to why new music is an orphan. George Rochberg laid the problem squarely at the feet of Arnold Schoenberg, an idea with which I took exception. When I responded to him with a question relating to the contretemps between Schenker and Schoenberg beginning around 1910, he got very excited. “That’s EXACTLY the point! Who are you?” When I identified myself as a cellist, he said, “A cellist. And this interests you?” after which he turned away and pointedly took no further interest in communicating with me. It struck me then that there might be another reason why new music is an orphan.
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this should be played to many young composers these days.. a lot of techniques (not even really new ones, but re cycled from the 50s Xenakis, Crumb, Varése, etc).
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It's a very important topic to discuss. However I personally don't think the problem is at people's minds or character. The problem is the fact that there's no common language in our eclectic time. Every young musician is expected by their tutors and mentors to look for their own language. Sometimes you are expected to come with a different language for each piece you write. This of course offers many exciting possibilities, but also extremely difficult to maintain. The inevitable outcome is a decrease in quality of content.
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Based and redpilled
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That's a really valid point!
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Bang on the money! Well said.
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Right, feeling is the prime ingredient in music - it's what communicates to other human beings.
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Eh... this is a very debatable point.. there are many instances in many different art genres in which the technique IS the expression. Perhaps you mean something more specific?
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Facts
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bookmarked
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@mastroper
7 months ago
I think composers like Billone or Xenakis have enough technique for their big substance.
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