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22,324 Views β’ Jul 10, 2023 β’ Click to toggle off description
Use this calculation...
60,000 / your BPM / 4
And that's the perfect amount of milliseconds ππ»
Like and follow for more Mixing & Mastering tips βͺ@Streaky_comβ¬
#mixing #mastering #tipsandtricks #musicproduction
Views : 22,324
Genre: Howto & Style
Uploaded At Jul 10, 2023 ^^
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RYD date created : 2024-01-25T14:57:31.877477Z
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YouTube Comments - 116 Comments
Top Comments of this video!! :3
Mathematically it makes no difference whether you divide by 4 in the end or right at the beginning. So actually the formula is just 15.000 divided by your BPM.
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Streaky you always give the best pro tips on YouTube, thanks so much!!!
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It's all about feeling.
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same works for reverbs and delays to get a predelay timing connected to BPM.
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Or get a comp plugin that can tempo sync like Waves H-Comp, goes from 1/64th to 2 bars. Great for quickly trying out different tempo synced release times and check what works best for the source material.
And there's this great Max4Live device called Calculus. Shows you all kinds of note values calculated in milliseconds for the host tempo.
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This is a useful calculation to know if you want almost quantised groove. But I still think it depends on your track and the sound you're using. Sometimes you pick a release time based on "feel" and groove..
Also, I've just done a track with big stabbing chords with huge reverb - So I set the compression to clamp down hard after the transient then fade back up over half a second so it floats back into the background.
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You also have to take attack time and the few milliseconds it takes for the GR to peak into consideration
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Temporarily put a delay plug-in on the channel with sync on, I use H delay, set it to the shortest note spacing on the channel, turn sync off, read milliseconds on the delay. Or just use your ears.
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Respect, this same method also works on different inserts apart from compression.
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or 15,000 / bpm
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Streaky once again with your top tips. Thanks bro. That helps alot.
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The day has come, my friends!
Dave Pensado and Andrew Scheps have replaced their ears with 2 calculators stitched to their heads!
They say they were too distracted by vibe, movement and groove when using their ears, so now they rely on theoretical calculations without thinking
What a time to be alive
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Brilliant - thanks ππΌ also sometimes I use my ears but good to have both optio
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This was a deep dive...Well played sir! ππ
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This doesn't quite work because Attack and Release times are deceptive (and you don't necessarily want 1/16 timings). There would be some kind of rule of thumb here if, say, an Attack of 37ms meant that it takes 37ms after the compressor was triggered to reach full gain reduction, or if 150ms Release meant it would take 150ms after the compressor was triggered for the gain reduction to go back to zero. This is what I used to think, and what countless people have told me is true, but it's incorrect. In fact, 37ms Attack means it takes 37ms for the gain reduction to reach (roughly) 2/3 of its full expected reduction. A 150ms Release means the compressor will take 150ms to restore (roughly) 2/3 of the gain it reduced. Because of all of this, the calculator's not going to help you much and it's slower than just referring to the GR meter to see which state the compressor's in and adjusting by what you can see and hear.
It's also iffy advice because it gets in the way of using compressors creatively to affect groove. If they think that compression has to be over by the next hit or even the next division on their grid, they're not going to discover how they can use longer Release settings to radically affect the illusion of swing in their drum lines.
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This dude has quite simply the best music production tips on the internet.
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Thanx Streaky!!
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Because 60.000 Milliseconds is 60 Seconds is 1 minute. Through your BPM is one bar of length and through 4 is one quarter note. So you have a time relation to your song.
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I do a calculation like this for reverb tail
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@toamaori
1 year ago
I had to understand this.. so found that... 60,000 is how many milliseconds in one minute divide by the bpm give you one quarter note in milliseconds ( in 4/4 ) divide by 4 gives you one sixteenth note in milliseconds. Thanks again Streaky
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