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10,675 Views β’ Jul 19, 2023 β’ Click to toggle off description
For example, the production template will have your drums, your samples and everything you need to actually produce the track π»
The mixing template will have all your rooting, your favourite plugins, also you want to export everything that says MIDI to audio tracks, so that you're mixing stems which will make sure you're not going backwards in the process ππ»
Then with mastering, you want to be thinking about the stereo, not the individual channels so make sure you have a separate template for that to avoid you going back to any mixing π¨π»βπ»
If you don't have a mixing or mastering template then I would suggest you take one of my accelerator courses and you'll get them for free as part of the course π₯³
For more mixing & mastering tips follow me βͺ@Streaky_comβ¬
#mastering #mixing #tipsandtricks #musicproduction
Views : 10,675
Genre: Howto & Style
Uploaded At Jul 19, 2023 ^^
warning: returnyoutubedislikes may not be accurate, this is just an estiment ehe :3
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RYD date created : 2023-08-13T22:09:18.224202Z
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YouTube Comments - 17 Comments
Top Comments of this video!! :3
Iv used templates for my production stage since iv started and many people thought I was weird or off. Just a basic hi hat in 2 patterns, a kick in 3 patterns including build up for drop and snare in 3 patterns. So creativity can start straight away. Got basics right there. Once you know we're your going then just change all drum samples. If needed. Mixing I do from scratch as I find each track is different so find it better that way, mastering templates I have several, but again may not work and do it from scratch. Always big tips from the man like streaky. Nuff β€
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Thank U !!! 4so many tips... Top Claas... Lasy tone i used few and my noise sounds much better...ser u tomorowland π
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There is nothing against mastering and mixing within the same project. There is nothing against mixing against a (external) mastering bus either. Furthermore you also mix against group busses, which are an intermediary. Or even with modern mixing against a hierarchy of (multiband) compression side chains. The best mixes come from being a master at them in parallel.
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Wow the production part makes sense... definitely using that..I just had the mixing and mastering template not the production one π€―π€―
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I think the ONLY advantage to be Full range producer is that you can go back to the production process at any time.
and fix the problem exactly where it sit whereas polishing
a turd to compensate an error of enveloppe or writting in the production stage for exemple.
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Following your advice.
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nooooo
I change so much until the end, I have no desire to overcomplicate the process.
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hey! could you make review on Sonible's Smart EQ3 and tricks we can use within it? appreciate the videos!
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Is there any way to purchase the templates without buying the course??
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I can understand how you mean what you explain in your video, but a big problem is that the music production cannot be found by others in the first place because the YouTube algorithm ensures that you get less than 5 views per month. All this is very unfair, because there are also people who get over 5,000 views after 2 to 3 hours without any problems. I've set up a small label where I want to showcase the music that's been deleted and lost by artists who don't have a contract and I'm not getting any views on YouTube at all
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Rverything in the same file and no template since I always experiment
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Rooting or routing? However, great sidekick advices as always! π
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βRoutingβ not rooting lol unless this is some British thing Iβm not aware of. Like using an βsβ for normalization, or a βuβ in color. Good tips though Streaky! Iβve been compartmentalizing the editing separate prior to the mixing stage and itβs really helped my workflow. Like the phase alignment and any pitch or volume correction amongst other things to save my CPU.
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@DjJay
1 year ago
I just do everything in the same project file. Makes recalls later on also easier. But on very rare occasion can be a dog on the CPU as all the FXs on each channel and then mastering plugins on the master buss. But I prefer it this ways. Sometimes during mastering something could be causing an issuing, so instead of "going back" to the mix. I can just do it right there in the project it self.
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