PokeVideoPlayer v0.9-rev1 - licensed under gpl3-or-later
Views : 3,096
Genre: Music
Uploaded At May 20, 2024 ^^
warning: returnyoutubedislikes may not be accurate, this is just an estiment ehe :3
Rating : 5 (0/71 LTDR)
100.00% of the users lieked the video!!
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User score: 100.00- Masterpiece Video
RYD date created : 2024-05-24T20:52:42.752476Z
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Top Comments of this video!! :3
I think I’ll be able to tie up a funnily paradoxical Beethoven-Ives kind of public interfacing,
I make both high AND low art, deliberately
In that: I am consistently capable of being a Dionysian virtuoso in my local rock scene with escalating but subtle folk momentum,
virtuosic not in the music, but in assuredly noteworthy embodied performance itself, I can play the role of folk hero or fool
but I’m embracing and transcending the cultural atmosphere, and can find contentment in perfectionist compositional hermitage as I ally with patrons and influencers, for my “high” art symphony
I will come down like Zarathustra in the right place at the right time
I find the cultural climate more advantageous than ever to a composer, if the composer is willing to bear his cross of his gift 🎁 and accept adventure 🏞
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The relation of composers and their audience changes many times. The audience of Josquin was different from that of the first Monteverdi (madrigals and Orfeo in Mantova) that was again different than late Monteverdi (opera in Venice). Bach audience was different than that of Mozart, of Beethoven. Further changes happened with Mendelson, then Schubert, then Brahms, Wagner. Its always changed. The avantgarde after WW2 really did change. Boulez and others like Berio, is, like Samuel says, somewhat traditional. But overall the avantgarde almost killed music. I am optimistic
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@sausagetitz3743
3 months ago
Would be useful to get a link to the interview from these shorts
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