Welcoem to posts!!
in the future - u will be able to do some more stuff here,,,!! like pat catgirl- i mean um yeah... for now u can only see others's posts :c
Cinematographer Robert Elswit Breaks Down 'Ripley's' Striking Black & White Cinematography
https://www.youtube.com/watch?v=nsFRR...
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The newest version of the Talented Mr. Ripley story, simply entitled "RIPLEY", features some of the best black-and-white cinematography I have seen in many years. Director Steven Zaillian and cinematographer Robert Elswit have produced a startling, unforgettable masterpiece. Available on NETFLIX, this film should not be missed. https://www.youtube.com/watch?v=0ri2b...
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I photographed the Du Puis Medical Building in 2016 as part of Dade Heritage Trust's yearly review of the Endangered Buildings of Dade County. It's a painful project to undertake. We warned that these endangered buildings could be torn down without ceremony if they weren't somehow protected. This one was torn down a few days ago. And that is how architectural heritage is destroyed - one building at a time. My archive of demolished buildings continues to grow. Only the photographs remain as a sad reminder of what was.
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My Udemy course is on sale this week with the promo link below.
www.udemy.com/course/steven-brooke/?couponCode=JAN…
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My best wishes to all of you for a healthy and happy 2024. Thank you for your support of this site. It is very much appreciated.
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Today we had our 10,000th subscriber join our community. I want to say how grateful I am for your interest, your encouraging comments and thoughtful suggestions, and your general support for this channel. It is truly gratifying to know that these efforts, along with the e-book and now our complete online course, have helped so many photographers with their architectural photography. I hope you will continue to watch the channel as new videos are posted and let others know about what we are doing here. And again, my sincerest thanks.
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This week I am offering a discount on my new online course "Fundamentals of Architectural Photography & Composition".
tinyurl.com/STEVENSALE
Throughout this course, you will learn my essential techniques, principles, and creative strategies required to elevate your architectural photography to new heights. Whether you are a budding enthusiast or an aspiring professional, this course caters to photographers of all levels, offering a well-rounded approach to enhance your skills and artistic vision.
Take a moment to read some of the reviews...
The Rules of Composition and Systems alone was worth the price. The entirety is packed with in-depth and useful information, not only for beginners but for more advanced photographers as well. This isn't just a quickly thrown-together course. A lot of time and care has been put into this, referencing decades of experience. I highly recommend this course. - Tim
The real-world examples shared by the instructor gave a clear understanding of how to apply the concepts in different scenarios. Overall, I can confidently say that the instructor's excellent work has elevated my understanding of architecture photography to new heights. This course is a must for anyone looking to delve into the intricacies of capturing stunning architectural marvels through the lens. Kudos to the instructor for delivering an exceptional learning journey! - Ganthaler
#architecturephotography #architecturalphotography #StevenBrooke #Udemy
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One of our community asked about putting together a portfolio for architectural photography. This is an important question and probably worthy of a detailed video. For now, I have reposted my response in case you missed it and in hopes that it will be of help to others. My suggestions start from the premise that you are doing this from scratch.
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(1) HISTORIC ARCHITECTURE. Make a quick survey of the most important buildings in your area, both residential and commercial. These are ideal to show a potential client, as they are probably familiar with the buildings. Consider shooting these in color, but also converting to b/w, which works well for historic architecture. Offer to share your photographs. Most museum houses etc do not have budgets for professional photography.
(2) CONTEMPORARY WORK, irrespective of the architect. Pick the best new architecture in your area (and elsewhere, of course) and photograph Signature Shots of each. (I have a video on what constitutes a Signature Shot.)
(3) INFRASTRUCTURE. Bridges, factories, roadways, etc can make very dramatic photographs. Consider doing some of these at night, as well.
(4) INTERIORS. You must have a selection of interiors, both residential and commercial. Public buildings (permissions will probably be necessary) provide larger spaces that can demonstrate your ability to handle such situations. Again, historic structures provide opportunities; and if you offer to give them copies, they may be more cooperative.
(5) LANDSCAPE, both private and public. I would have examples of both. Remember, landscapes are best photographed early morning and/ or late afternoon – permissions will be probably needed for public gardens.
(6) DRONE PHOTOGRAPHS. These are great additions, but not essential. Real estate clients expect to see these, however. If you have a drone, consider several for your portfolio.
TARGET CLIENTS. If you have an architect whose work you wish to shoot, select several of their projects and photograph them, even if they have been previously photographed. Then, try to make an appointment to show them what you’ve done.
REVIEW. When you are finished, critically examine your entire portfolio. Toss out anything that is not first-rate. Be ruthless. Look at the work as if someone else had done it. If you are including both color and b/w, separate them. Remember the first rule of architectural photography: verticals must be aligned. Delete any images that are off-- even slightly. Every shot must be a home run: shot at the right time of day; properly proportioned; perfectly processed.
And finally, your portfolio is a continual work-in-progress. Always be adding new work and removing lesser work.
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If you are still thinking about purchasing a copy of "ARCHITECTURAL PHOTOGRAPHY AND COMPOSITION",
here are some comments from those who have already purchased it.
It's available at stevenbrookearchitecturalphotography.myshopify.com….
I promise, it is the best $10 you could spend to significantly improve your work whether your are just starting out or are an experienced professional.
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“…this is the book I wish I had read when I first began my career.”
“For anyone wanting to learn the art, technology and business of architectural photography,
this book presents a master class.”
“…a must for everyone interested in architectural photography,
even seasoned photographers will find useful tips inside.”
“The areas covering proper composition are worth the price alone.”
”A must have book for anyone who has ever wanted to improve their own photographs or
their ability to look at architecture critically and with understanding.”
“…the best read specifically on architectural photography I’ve seen.”
“This is the kind of e-book you would expect to see in universities worldwide.”
“A superb analytical book full of diagrams and written explanations of excellent photography.”
“Awesome, best investment EVER!”
“…each page of the book provides the reader with insightful information.”
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Coming shortly: some suggestions for using Photoshop Beta's Generative Fill to save literally hours of cloning in post-production.
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My new online course "Fundamentals of Architectural Photography and Composition" is here!
tinyurl.com/StevenFundamentals
BIO:
Steven Brooke is an award-winning, internationally recognized leader in the photography of architecture, landscape, and design. He is the recipient of the prestigious Rome Prize from the American Academy in Rome and the AIA National Honor Award in Photography. He has photographed over 40 books on architecture and design for major publishers, nine of which he has also written. He has over three decades of experience working with an elite clientele that includes the world’s top architects and designers. Brooke is on the faculty of the University of Miami School of Architecture, where he offers a popular course on Architectural Photography and Composition. He is a frequent lecturer and also conducts workshops throughout the U.S for photographers of all skill levels.