05:44

choujimi-versary: my first year on youtube

09:09

Conspicuous kpop reaction pictures: relics of a lost society

05:31

Rockstar is Lisa's vision for the future

08:20

Fe3O4: Break, a modern day classic

05:25

The TWIMELINE: sorting TWICE’s discography in chronological order based on lore

06:39

The pragmatics of "kpop has always been westernized"

09:16

Why did After Like sample I Will Survive?

06:14

The brief and odd “will o’ the wisp” resurgence of 2022

06:41

The novelty of Nayeon’s solo career

15:19

HYBE boycotts & insidious performative activism

06:12

Lucky Girl Syndrome missed the mark, and my hopes for ILLIT’s manifestation concept

04:53

Mr. Vampire deserved better

05:00

4 Walls, chaos theory, and cosmic irony

09:32

What is a “pure camp” kpop song, if Catallena isn’t?

09:25

aespa’s album incohesiveness: is it a problem?

05:31

How Sweet, the Ugly Duckling, and the meaning of “NewJeans is everywhere”

17:31

Ranking every TWICE title track and single

06:26

Young Luv is STAYC’s magnum opus

06:55

Bubblegum isn’t on streaming services, conceptual release strategies, and the integrity of NewJeans

05:07

Pink Tape, the first frontier of video concept work in kpop

14:18

How westernization harms groups like Twice

05:19

My early Armageddon predictions #KwangyaCivilWar

09:18

My favorite ktubers and why I ❤️ them 4

03:59

The sad irony of Hate Rodrigo

09:19

my top songs of april 2024

10:01

Chill Kill, the unwelcomed change

03:58

The characterization of BABYMONSTER

04:05

IVE are greedy, sun-eating tigers (해야 HEYA analysis)

04:40

HYBE is targeting NewJeans: Hitman Bang’s gambit

03:45

Who is it, the Mafia? (concept analysis)

03:35

00:00, the auspicious moment of change (song analysis)

05:45

Min Heejin vs. HYBE, Gowon is Irish, ILLIT can't catch a break, Cherry Bullet disbanded

07:22

FANCY YOU (2019) Album Retrospective

05:45

In defense of LE SSERAFIM #coachellagate

04:02

LE SSERAFIM are still very fragile (concept analysis)

04:48

ONF just released the best kpop boy group album of the year (Beautiful Shadow review)

07:07

How I think MY WORLD and DRAMA fit into the aespa lore: a Kwangyan Conspiracy

07:47

SHINee’s 4th album is odd… (concept analysis)

03:55

Kiss of Life’s plans for world domination: yet another Midas Touch review

04:18

Is HYBE using payola to make their artists successful?

05:10

Why did LOVE DIVE work so insanely well?

05:38

The burdens of the fennec fox (TXT analysis)

07:15

SHEESH, the Blackpink Frankenstein (review)

17:38

Ranking every song in JYP's discography

04:15

Why wasn’t I’m Ready a title track? (chungha’s re-debut review)

04:16

The untapped potential of ILLIT’s concept (debut review)

29:17

The Choujimi Report - 5000 viewer Q&A

07:47

Why Set Me Free didn’t work (concept analysis)

13:50

Max Schneider, why kpop fans don’t like him, and opportunistic ventures in kpop

05:26

VCHA can’t stop winning (only one review)

21:19

Do idols NEED to be able to sing? In defense of Sakura

05:51

Ten’s Nightwalker and the Freedoms of Cows (analysis)

04:41

My favorite ktubers and why I ❤️ them 3

09:08

Can groups come back TOO often? The pre-release model in kpop

05:35

Stereotype, and how the heart disfigures the soul (analysis)

08:23

Revisiting “In Defense of Sakura” with a bit more consideration

07:11

In defense of Sakura (criticizing idols’ performance ability)

06:52

Catallena is NOT camp (notes on camp in kpop)

03:52

The benefit to "bad" releases in kpop

08:53

Does Lucas deserve redemption?